A Buffalo poet and I have never met, yet we tend a common garden of unlocked gate, with poets we welcome as friends we’ve also never met who plant pretty poesies of love and life -- friends who share themselves with verses that enrich the song in us. © Marie Elena Good, 2022 #waltmarie This is a little tribute to Walt Wojtanik of Buffalo and the poets who frequent the poetry site we share, called Poetic Bloomings. The form used (waltmarie) was created by Candace Kubinec, and featured on the Writer's Digest. Here are the guidelines for writing the Waltmarie: -10 lines -Even lines are two syllables in length, odd lines are longer (no specific syllable count) -Even lines make their own mini-poem if read separately

Today at Poetic Bloomings I had the privilege of “chatting” with poet and performer Mike Bayles. Come find us at https://poeticbloomings2.wordpress.com/2022/05/18/poet-interview-mike-bayles/.

The week leading up
to the most sacred of our
Christian holidays
looks back on events
saturated with the love
of our Lord Jesus,
impregnated with
prophesies being fulfilled
in His light and life:
Some, miraculous.
Some, endearing. Some, baffling.
Others, horrific.
A dizzying week.
A hill of execution.
A crucifixion.
But …
I believe that the
road to Golgotha began
in a feeding trough
where a virgin girl
gave birth to a baby boy
who already knew
the way.
© Marie Elena Good, 2022
He is risen, indeed!

Ice-scarred trees at six-plus feet will testify for decades to come of the Maumee River’s unwelcome rush into the cemetery where Mom and Dad are interred. She knocked over gravestones, carried some away to heave elsewhere, cracked others, and deposited countless tons of ice plates and river-bottom mud well above a grown man’s head through the entire grounds.
After more than a month, the street leading to the cemetery finally opened, but the drive leading to the section where Mom and Dad are interred remains closed. Though receding, mud-packed ice plates are still stacked 2-3 feet high there, covering hundreds of feet of ground. A “No Pedestrians” sign is posted, lest we think it is only vehicles that are not allowed access. But the drive leading in has been cleared, and today I couldn’t resist ignoring the signs and barrier, to get as close to Mom and Dad’s site as possible.
I’ve told many friends and family how guilty I feel — how petty — for pre-mourning the loss of the endearing little ceramic angel I had placed at Mom and Dad’s stone. As I walked toward the site, I searched the mountains of ice with my eyes, just in case. Getting closer, I spotted a surprising sight. A bit beyond where I would place Mom and Dad’s stone to possibly be, a large gravestone stands upright. An approximately 6-8-foot clearing surrounds it. Clearing. As in grass. Ground. A curious thing, and I can’t figure out how it came to be. And in the middle of that little clearing was what looked like a chunk of not-yet-melted muddied ice.
But at that point, my eyes were welling, because all signs pointed to this being a loving and amazing God-gift.
And it was.
And it is.
And she was muddy, but otherwise completely intact.
Not a chip.
Not a scratch.
Still close to “home.”
I also soon realized there was a small path clear enough to get around the dangerous ice heaps, just enough to retrieve her. God amazes me. We endure difficulties, for certain. But He makes His love and presence and tenderness and sovereignty known in ways that speak to our own heart. Sometimes even when we are petty, and disobey the no pedestrians sign.
And He wasn’t done. As my husband Keith and I were walking back toward the truck, we spotted my daughter Deanna. She was on a quick break from her Yoga Teacher Training classes. She had her lunch with her, and had intended to eat it quickly where her classes are. But she felt drawn to drive to the cemetery, and felt a nudge that she would see Keith and me there.
There was no reason for her to believe that. There was no reason for her approximately 15 unplanned minutes to overlap with our approximately 30 unplanned minutes.
Just as there is no reason for a little ceramic angel to survive a cataclysmic ice-flow flood and freeze, and then make her little muddied white self known in a sea of muddied white.
But, God…
____________________________________
Today is the fourth anniversary of this event. Every detail in this that I wrote then is true. This may not be a poem, but it is a tribute to my downright poetic God, who leaves me in awe.

Even their shadows hide
beneath dark sky
and grim state
as they make
their way of escape
from dark to dark –
or watchfully, vulnerably wait
to face night’s peril
as I write this poem
in my recliner
in stream of sun
while cheerful flowers
named for same
flourish on my screen.
© Marie Elena Good, 2022
#prayforUkraine

Part 1. LEGATO Since love and laughter sang the notes to her childhood, she tuned in to life. She felt melodic, harmonious, and ready to embrace her song. Part 2. ARPEGGIO A child bride’s ballad, meant to mirror her childhood, ends in broken chords. A sharp turn taken, her imposed solo becomes a balanced duet as her new partner discards the shards, and the two play in consonance. Her children (her heart), born improvisers, still long to dance their own dance. Part 3. CODA Moons rose and set. Her parents grew sickly; her song became elegy. Still, her partner hums his strength, and her Composer breathes psalms in her lungs. © Marie Elena Good, 2022

There are the teachers
equipped with knowledge, and the
skills to impart it
There are the teachers
with a passion for learning
that is contagious.
There are the teachers
who delight in (and well-wield)
books, maps, and whiteboards.
I am gifted with
none of that. But I love, and
love assists learning.
© Marie Elena Good, 2022

I’m itchin’ to upgrade, and pitchin’ a fit. For now, I’m afraid, I have zilch to submit. While someone is flippin’ through pages of verse, I want my name there before I’m in a hearse. It’s paltry and petty, this dream I’ve unfurled. But? Improvin’ at versin’ can’t worsen the world. © Marie Elena Good, 2022

I am of the age
where knocks at the door did not
need to be scheduled.
This was a time when
hospitality welcomed
spontaneity.
A time when one was
made to feel valuable –
greeted with a smile
and a hand gesture
first ushering you in, then
offering a seat.
I wish I could say
that is a custom I still
embrace. But it’s not.
Feeling unprepared
makes me uneasy, and it
seeps right through my smile.
I hope to become
genuinely embracing
of a friendly knock –
to swing wide the door –
no thought of untidiness;
no eye on the time.
© Marie Elena Good, 2022