pictured words

a simple pairing of pictures and poetry

POET INTERVIEW – MIKE BAYLES

MIKE BAYLES (Photo credit: Steven Foker Giraffe Photography)

Today at Poetic Bloomings I had the privilege of “chatting” with poet and performer Mike Bayles. Come find us at https://poeticbloomings2.wordpress.com/2022/05/18/poet-interview-mike-bayles/.

HOLY WEEK

Photo by Vanderlei Longo on Pexels.com

The week leading up
to the most sacred of our
Christian holidays

looks back on events
saturated with the love
of our Lord Jesus,

impregnated with
prophesies being fulfilled
in His light and life:

Some, miraculous.
Some, endearing.  Some, baffling.
Others, horrific.

A dizzying week.
A hill of execution.
A crucifixion.

But 

I believe that the
road to Golgotha began
in a feeding trough

where a virgin girl
gave birth to a baby boy
who already knew

the way.

© Marie Elena Good, 2022

He is risen, indeed!

WHERE THERE ARE ANGELS

Ice-scarred trees at six-plus feet will testify for decades to come of the Maumee River’s unwelcome rush into the cemetery where Mom and Dad are interred. She knocked over gravestones, carried some away to heave elsewhere, cracked others, and deposited countless tons of ice plates and river-bottom mud well above a grown man’s head through the entire grounds.

After more than a month, the street leading to the cemetery finally opened, but the drive leading to the section where Mom and Dad are interred remains closed. Though receding, mud-packed ice plates are still stacked 2-3 feet high there, covering hundreds of feet of ground. A “No Pedestrians” sign is posted, lest we think it is only vehicles that are not allowed access. But the drive leading in has been cleared, and today I couldn’t resist ignoring the signs and barrier, to get as close to Mom and Dad’s site as possible.

I’ve told many friends and family how guilty I feel — how petty — for pre-mourning the loss of the endearing little ceramic angel I had placed at Mom and Dad’s stone. As I walked toward the site, I searched the mountains of ice with my eyes, just in case. Getting closer, I spotted a surprising sight. A bit beyond where I would place Mom and Dad’s stone to possibly be, a large gravestone stands upright. An approximately 6-8-foot clearing surrounds it. Clearing. As in grass. Ground. A curious thing, and I can’t figure out how it came to be. And in the middle of that little clearing was what looked like a chunk of not-yet-melted muddied ice.

But at that point, my eyes were welling, because all signs pointed to this being a loving and amazing God-gift.
And it was.
And it is.
And she was muddy, but otherwise completely intact.
Not a chip.
Not a scratch.
Still close to “home.”

I also soon realized there was a small path clear enough to get around the dangerous ice heaps, just enough to retrieve her. God amazes me. We endure difficulties, for certain. But He makes His love and presence and tenderness and sovereignty known in ways that speak to our own heart. Sometimes even when we are petty, and disobey the no pedestrians sign.

And He wasn’t done. As my husband Keith and I were walking back toward the truck, we spotted my daughter Deanna. She was on a quick break from her Yoga Teacher Training classes. She had her lunch with her, and had intended to eat it quickly where her classes are. But she felt drawn to drive to the cemetery, and felt a nudge that she would see Keith and me there.

There was no reason for her to believe that. There was no reason for her approximately 15 unplanned minutes to overlap with our approximately 30 unplanned minutes.

Just as there is no reason for a little ceramic angel to survive a cataclysmic ice-flow flood and freeze, and then make her little muddied white self known in a sea of muddied white.

But, God…

____________________________________

Today is the fourth anniversary of this event. Every detail in this that I wrote then is true. This may not be a poem, but it is a tribute to my downright poetic God, who leaves me in awe.

A DISTANT WAR

Photo by Kostiantyn Stupak on Pexels.com

Even their shadows hide
beneath dark sky
and grim state
as they make
their way of escape
from dark to dark –
or watchfully, vulnerably wait
to face night’s peril
as I write this poem
in my recliner
in stream of sun
while cheerful flowers
named for same
flourish on my screen.

© Marie Elena Good, 2022

#prayforUkraine

LIFE, COMPOSED IN THREE PARTS

Photo by Keith R. Good
Part 1. LEGATO

Since love and laughter
sang the notes to her childhood,
she tuned in to life.

She felt melodic,
harmonious, and ready
to embrace her song.

Part 2. ARPEGGIO

A child bride’s ballad,
meant to mirror her childhood,
ends in broken chords.

A sharp turn taken,
her imposed solo becomes
a balanced duet

as her new partner
discards the shards, and the two
play in consonance. 

Her children (her heart),
born improvisers, still long
to dance their own dance.

Part 3. CODA 

Moons rose and set. Her
parents grew sickly; her song
became elegy.

Still, her partner hums
his strength, and her Composer 
breathes psalms in her lungs.

© Marie Elena Good, 2022

My Years of Teaching

Water for Ishmael American Schools wall banner, painted by Andrea Price

There are the teachers
equipped with knowledge, and the
skills to impart it

There are the teachers
with a passion for learning
that is contagious.

There are the teachers
who delight in (and well-wield)
books, maps, and whiteboards.

I am gifted with
none of that. But I love, and
love assists learning.

© Marie Elena Good, 2022

FIRST, DO NO HARM

Photo by Suzy Hazelwood on Pexels.com
I’m itchin’ to upgrade, and pitchin’ a fit.
For now, I’m afraid, I have zilch to submit.
While someone is flippin’ through pages of verse,
I want my name there before I’m in a hearse.
It’s paltry and petty, this dream I’ve unfurled. 
But?
Improvin’ at versin’ can’t worsen the world.

© Marie Elena Good, 2022

OPEN MINDED

Photo by Ketut Subiyanto on Pexels.com

I am of the age
where knocks at the door did not
need to be scheduled.

This was a time when
hospitality welcomed
spontaneity.

A time when one was
made to feel valuable –
greeted with a smile

and a hand gesture
first ushering you in, then
offering a seat.

I wish I could say
that is a custom I still
embrace. But it’s not.

Feeling unprepared
makes me uneasy, and it
seeps right through my smile.

I hope to become
genuinely embracing
of a friendly knock –

to swing wide the door –
no thought of untidiness;
no eye on the time.

© Marie Elena Good, 2022

CROSS OF CHRIST

My place atop the Christmas tree
may seem a lofty place for me,
but humbly, I point down below
through greenery and lights aglow
to manger scene that holds the Christ
who paid the price in sacrifice
for every woman, man, and child –
this perfect Lamb – this undefiled
Rescuer, Redeemer, God
I represent, and richly laud.

© Marie Elena Good, 2021

Written in response to Walt Wojtanik’s prompt at Poetic Bloomings to write about Christmas from the point of view of an inanimate object. If you look closely, you can see the cross that tops my Christmas tree.

A COMMON THIRST

They come to my city from distant lands –
Homelands. 
Their reasons, many and varied –
most, too heartrending to ponder. 

They arrive parched –
a desiccation born of dearth and death.
Thirst knows no race, class,
religion, or language.
It knows only burning need for
a well of hope from which to dip.

The ache of a woman,
isolated in a strange new residence
and unable to connect to life-giving resources,
drowns in unanswered questions.
She holds no words to pose them,
and no near ear to hear
her broken attempts. She thirsts
at the well of understanding.

The profound pain of parents
daily delivering their children into
the hands of strangers
who struggle to teach and to reach
these children who hear only indistinct sound,
and see the blank stare of confusion.
Parents, unable to engage, thirst
at the well of advocacy.

The fatigued fret of the soul weak with illness
who has no visible path to wellness.
The one whose world is silent,
limited, and invisible.  This soul thirsts
at the well of wellbeing.

The yearning of a man
to make known his skills,
let alone make use of them to provide
as he once did. To make known his intent
to be self-sufficient.  To be quickly found to be
hardworking and capable.  He thirsts
at the well of opportunity. 

The deep craving of the foreigner
to make known their honorable intentions.
To prove they are grateful and giving;
loving and fun-loving; brave and tender.  They thirst
at the well of accurate perception.

They arrive parched from a common thirst –
a thirst ready to be quenched
in a city flowing with Water for Ishmael.

© Marie Elena Good, 2021

In Genesis 21:14-20, we read of Hagar and her son Ishmael, who were sent to the desert to die.  God heard the boy crying from thirst, and He provided a well from which to drink.  Water for Ishmael is named for this scripture passage.  WFI’s intent is to quench the thirst of the “strangers in the desert,” by following the instructions of Leviticus 19:34: “You shall treat the stranger who sojourns with you as the native among you, and you shall love him as yourself, for you were strangers in the land of Egypt: I am the Lord your God.”

If you would like to give to our mission: https://waterforishmael.kindful.com/