pictured words

a simple pairing of pictures and poetry

SEEKING SOFTNESS (#prayforturkey #stopthehate)

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Media photo as presented by Photography of Nia 

I can’t pretend to understand
As hostile minds, with arms in hand,
Disturb a peaceful country’s night
While innocents hole up in fright.

Another friend, another cry,
Another ally begging, “why?”
Another hashtag adding weight
To those who prompt and spread the hate.

This fallen universe, complex:
While animosity is flexed,
A softness tries to smooth the way
From violent night, to placid day.

Let softness have its gentle sway;
Let mankind not be mankind’s prey.

 

© Marie Elena Good

un câlin pour un allié (a hug for an ally)

 

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Photo by Keith R. Good

Hate reigns. What remains
To say?  To pray?
We disavow
(somehow)
Our sin in errant skin –
Our callous view of life
As strife endures, and carnage lures
The vilest mind.
Oh, mankind!
Weep desolately deep
As France steeps in blood,
And floods of tears release
A piece of Nice.

 

© Marie Elena Good

OPEN AIR PICTURE SHOW

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Photo credit: dreamstime.com 

We as children
Face-up in soft grass
Hands clasped behind our heads
Watching floating scenes above,
Seeing things differently –
Each through our own lens,
Mimicking real life.

 

© Marie Elena Good

HAIKU (UNTITLED)

Clouds of witnesses weep

We’ve lost our first Love.
Even clouds of witnesses
Weep over our land.

SUMMER, ’16 (BLACK AND BLUES)

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As life bleeds red,
My guilt, this:
I thank my God
My love is not
In blue uniform;
My son, in black skin.

 

© Marie Elena Good

HAIKU (UNTITLED)

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Image credit:  Reusable Art Dot Com

bikes with beaded spokes
ribboned trikes, wagons, drums, tears
rain on our parade

DIAL BACK TIME (a triolet)

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Photo credit:  123RF

Back then, our clocks had hands and feet
No wings, yet time still seemed to fly
As singing trucks brought ice cream treats.

Back then, our clocks had hands and feet,
And we played kickball in the street
While friends and neighbors happened by.

Back then, our clocks had hands and feet
No wings, yet time still seemed to fly.

© Marie Elena Good

Crayola and Me, 1958

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Photo credit:  Today I Found Out

I began as Flesh,
But only because it was 1958,
And they didn’t yet understand
A white baby may have a tint
Of Raw Sienna.

No understanding that changing Indian Red
To Chestnut is not only untrue,
But negates a child’s ability to learn
That Indian Red describes a pigment native
To India,
And not the skin of a Native American,

Or for that matter, the ability to learn what it meant to be
Prussian.
Was it easier to change Prussian to Midnight,
Than to teach us the blues of history?

And sixteen new colors were added that year, and
When I turned four I was no longer Flesh,
But Peach.
Peach with still no tint,
And no understanding that Peach is not white,
And I am not white, and I am not Peach.

But colors are sharp,
And when the summer sun shines
On sixty four colors left on Grandma’s porch,
They can run together
and
Permanently
Mingle.

© Marie Elena Good

LOOKING BACK / FORWARD MARCH

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We line the street
Despite the heat;
Await the beat
Of drums.

The cadence stirs
My heart, and spurs
Excitement! Here
It comes!

The Stars and Stripes
And countless types
Of instruments
Pass by.

The pride I feel
Is deep and real
Beneath mid-
Summer’s sky.

My father’s band,
Baton in hand
Directing more
Than tunes.

His students find
He’s guided minds
And morals
Many moons.

Time marched along
So fast. So long,
Oh fleeting song
Of summer.

Now winter’s come
And slowed the drum –
But oh, I love
The drummer.

(With love and great respect for Dad … drummer, conductor, teacher, mentor,  father)

© Marie Elena Good, 2016