LISTEN TO HEAR

Agreement is not crucial.
Kindness is.
Divergence is not futile.
Blindness is.
In one way or another,
We should learn
To hear our diverse brothers –
Not to spurn.
© Marie Elena Good

He was handsome.
Warmhearted.
Excellent mind,
when it mattered.
Nobody more well-
mannered.
Clearly he had the world
at his fingertips.
Then came the diagnoses:
and they were many,
and they were hard to stomach.
This unmasking of
high impact issues
caused setbacks.
He felt he was
plunging into limbo.
No more spearheading projects.
No more chairing committees.
No more researching solutions
at breakneck speed.
But then good news was delivered!
He’d been misdiagnosed all along!
The moral of the story?
Though I try bloody hard to be humerus
It’s all in vein.
And you know what else?
For as long as you have breath,
you’ll never not see noses
in diagnoses.
© Marie Elena Good, 2018

It’s not so much in the forgetting,
nor even in the retrieving.
See, it’s in the connecting.
Though my brain is smallish,
that which is stored
here,
is far too often not perceiving
that which is stored
there.
The nerve!
Apparently my data is shy –
certified tongue-tied.
Unwilling to bond with
or respond to
the other facts and files
in my brain’s adjacent aisles.
They may as well be miles apart.
Oh the trials that stem
from data that scatters.
It matters.
© Marie Elena Good, 2018

Photo credit: Michaela Mavis
We’re on an information highway,
traveling at the speed of light in a vacuum.
With instant information gratification,
who needs fact memorization?
Surely it’s time to table times
and periodic elements.
But, no.
For learning stirs a yearning.
The churning of knowledge
and haulage of speech and fact
actively draws us.
gnaws at disinterest, and
erects a monstrosity of curiosity.
Learning reaches us.
Teaches us.
And in return,
we learn.
© Marie Elena Good, 2018

Her toes, tanned,
saunter in sand
as sun wanes.
She remains,
steeped in still
-nes’tled blush of dusk.
Settled. Hushed.
Moon taunts her,
fetching her heart –
sketching shore shadows –
stretching fern and frond
beyond her vision.
And far beyond
her once-upon-a-sand
box.
© Marie Elena Good, 2018

As I near my autumn days,
I think of all I have not experienced.
No trips abroad.
No vacation home.
No award-winning book.
No fame.
No second-glance beauty.
I think of all I have not experienced.
Yet, let the autumn leaves summon,
For I am content to sit side-by-side,
In dappled sunlight or soaking rain.
(c) Marie Elena Good, 2012

They say a picture paints a thousand words.
The pairing of the two gives me delight.
And if a picture paints a thousand words,
Then picture this: a picture painted write.
The pairing of the two gives me delight –
A complement of image with my words –
Appealing to my mind, and to my sight.
Perhaps a picture paints a thousand words
But here is what I try hard to pursue:
I strive to bat a thousand, with a few.
© Marie Elena Good, 2018
This morning at Poetic Bloomings, Walt Wojtanick prompted us to write about our own blog.

As I embrace One who was slain,
and forfeit self,
what will I gain?
Eternal life in Christ is mine
not of my self,
but His design.
His agony, my boundless gain
corrupted self
cannot attain.
In death to self I gain no loss
my life secured
on Calvary’s cross.
(c) Marie Elena Good, 2012
“For whoever wants to save his life will lose it, but whoever loses his life for me will save it. What good is it for someone to gain the whole world, and yet lose or forfeit their very self?” ~ Luke 9:24-25.

I do not like Ae freslighe, Ma’am.
I do not like her sans iamb.
She messes with my rhythmic ear.
I wish that she would disappear.
I do not like Ae freslighe, Ma’am.
I’d rather eat green eggs and spam.
© copyright 2013, Marie Elena Good
“The Ae freslighe (ay fresh lee) is a fascinating, but fairly challenging Celtic poetic form.” ~ R.J. Clarken
Per Terry Clitheroe of The Poets Garret (http://www.thepoetsgarret.com/celtic1.html):
Ae freslighe: (ay fresh lee):
Each stanza is a quatrain of seven syllables. Lines one and three rhyme with a triple (three syllable) rhyme and two and four use a double (two syllable) rhyme. The poem should end with the first syllable, word, or the complete line that it began with.
| x x x x (x x a) x x x x x (x b) x x x x (x x a) x x x x x (x b) |

Caring for the yard is hard
when clay sits atop
once-upon-a-swamp
and damp drains down
heavy on your skin,
and feels like breathing soup
as you heave your weight atop a spade
to dislodge one weed from clay.
Repeat, all day.
© Marie Elena Good, 2018